The printed monozine functions as a material and collectible editorial object. Unlike the website, monozine offers a more selective and slower encounter with the campaign.

It can bring together a curated set of photo or written essays, maps, photographs, short notes, interviews in a form that can be held, revisited, shared, and retained over time.

Its physical presence is significant because the campaign is concerned with architecture as material reality rather than as an endlessly circulating image. The zine gives the audience an object that embodies this concern: it translates research into

a tangible format while avoiding the logic

of closed academic publication. It can be distributed through pop-ups, events, bookshops, libraries, universities, or cultural partners, creating another route into the wider campaign ecosystem.